INTRODUCTION by Susun Weed
Juliette de Bairacli Levy is not only the mother of the reawakened
American herbal tradition, she is also the mother of two children.
In her memoir Spanish Mountain Life, her second child, Luz, is born.
Luz accompanies Juliette to Manhattan in Gypsy in New York, and to Israel
in Summer in Galilee. Then, as children will when they grow to maturity,
she creates her own life — one both apart from her mother's life
and a part of her mother's life — and we hear no more about her.
But Luz is still her mother’s daughter. And Luz learned from her
mother how to open her heart to the human drama around her and how to
enter into that drama as both participant and observer. And, perhaps,
Juliette also gifted Luz with the skill and desire to write about what
she sees.
Luz’s stories — published here for the first time ever —
are in a voice very different from that of her mother. She is a child
of post-Hemingway literature; her syntax and structure are spare and
to-the-point. While Juliette’s style seems more archaic to us:
She strings together thoughts in convoluted sentences more reminiscent
of Proust.
Yet their voices are clearly linked, mother to daughter, generation
to generation. After reading Juliette's account of her daredevil bathing
in the no-man’s land of the Jordan River boundary in Summer in
Galilee, Luz’s story, “Adventure,” gave me a literary
deja vu. Luz’s imagined connection between ancient and modern
women in Israel in “The Whispering Wind” surely has its
basis in her mother’s fascination with antiquities, a fascination
she shared with her children as they traveled. And perhaps it is a childhood
vision of her mother as a martyr, or herself as a child with typhus,
that fired Luz’s imagination in A Vow.
Juliette’s prized Afghan hounds were forever being accused of
eating chickens in the small villages in Greece where she preferred
to live. Chicken lovers, country dwellers, and anyone who has spent
time in a rural neighborhood will surely be as delighted as I was with
Luz’s tale of one solution to this problem in “A Chicken
from Heaven.”
“Compensation” also centers on the repercussions that follow
the actions of another “bad dog.” Every owner of a dog,
and everyone who fears dog bites, will be swept into the true-to-life
fantasy that Luz spins from an ordinary incident and an extraordinary
wound.
As a child, Luz was loved and entertained by Gypsies. As a grown-up,
Luz longs to connect with them again, but it isn’t that easy,
as we discover in “The Gypsy Children.”
Juliette loves animals. Their health and well-being has always been
the focus of her life; and Luz, suckled by a goat as a babe, sustains
her mother’s love of all creatures. Her story “The Silver
Fox” is an eerie reminder that the spirits of animals are powerful
and extraordinary.
As I read Luz’s stories, images from Juliette’s life circle
in my mind: Afghan hounds and chickens, children and gypsies, herbal
lore and the beauties of nature. If you have heard Juliette speak, or
read her books, or watched her in Trish Streeten’s beautiful video
Juliette of the Herbs, you may find this happening to you, too, as you
turn these pages.
Susun S Weed,
Laughing Rock Farm, June 2006
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